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Book Cover Designs with Unhappy

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The cover features an exaggerated cartoonish character holding a piggy bank that is overflowing with coins. The character looks frustrated or disillusioned, portraying the idea that saving isn't leading to prosperity. In the background, subtle hints of expensive, flashy items like designer bags, cars, or flashy outfits are faintly visible, highlighting the irony of saving versus splurging.

Na Mumu Dey Save

The cover showcases a starry, ethereal purple night sky transitioning smoothly from left to right. On the left, the Twin Towers of New York City rise against the dark skyline, exuding a somber yet majestic feel. A seven-year-old boy sits atop a gallant buckskin stallion at the center of the image, with the boy depicted partially in shadow as he gazes into the distance. At the horse’s feet, his loyal Rottweiler sits faithfully, its features gleaming under the quiet moonlight. On the far right, a tranquil farm emerges, complete with softly lit stables and grazing horses, offering a soothing contrast to the cityscape. A soft beam of light connects the child to both the city and farm, symbolizing a journey of transformation.

A pair of weathered, bare feet is walking on a path strewn with sharp stones, cracked earth, and sparse dry grass. The background fades into a blurred horizon painted with warm autumn tones—reds, oranges, and browns—to elicit emotional fatigue and melancholy. In the distant background, the faint outline of a solitary tree stretching upward on an uneven hill is visible, reinforcing a sense of isolation and struggle.

Barefoot throuh life and other stories

The cover features a starry night sky in deep, dark purples and blues. A glowing trail of stars swirls as hoofprints at the bottom, where a sturdy buckskin stallion rears slightly with a solemn, determined 5-year-old boy sitting atop it. At the stallion’s feet sits a loyal Rottweiler, staring straight ahead, guarding. On the left side of the cover, in the hazy foreground, stands a shadowy, cold-faced woman (the boy’s biological mother) in front of a faintly visible, ghost-like depiction of the Twin Towers of New York City. On the right side of the cover, brightly lit against the darker surroundings, is a serene horse farm with two loving parents holding their newborn baby under the glow of golden barn lights. The imagery sharply divides left (dark and cold) versus right (warm and inviting).