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A striking close-up of Bionica, an African American woman with powerful, bionic knees, muscular arms, and legs, captured mid-stride as she sprints toward the viewer. Her intense expression conveys strength and determination. Sparks and electrical currents flash around her bionic features. The background depicts a world in chaos, with cities in flames, massive lightning strikes illuminating thick clouds of smoke, and cracks forming in the earth. Debris flies through the air as though the very fabric of reality is breaking apart, emphasizing urgency and chaos. Positioned just above the crashing environment, dark, dynamic clouds with streaks of vibrant neon blue lightning add contrast to her jet-black fitted suit, which is accented with subtle silver metallic elements.

On the left side of the cover, a cheerful piggy bank overflowing with coins is depicted with a smiling face. On the right side, a piggy bank with hollow eyes lies on its side, with a few scattered coins nearby to illustrate sadness. In the background, subtle graphics of banknotes float around to complement both halves.

Utangku Sayang, Utangmu Malang

The cover features a close-up shot of a couple hugging, with the man in formal attire and the woman wearing a purple hoodie and sweatpants. They are standing against the backdrop of a city skyline, representing the rich and urban setting of the story.

The Rich can love anyone

A stormy, adrenaline-pumping scene dominates the cover. At the center top, a picturesque medieval castle looms in the background, faintly visible through heavy rain and swirling storm clouds. The main visual focus is a black female nurse in form-fitting green scrubs, her face raw with determination and fear, hanging onto a frayed rope with one hand. Below her is a chasm with jagged rocks, emphasized to induce vertigo. Grasping her wrist with a tight grip from above is a muscular white man with a clean-shaven face, blonde hair whipping in the wind, wearing black trousers and a sleeveless black T-shirt, his body visibly straining to hoist her up. The rope runs diagonally across the cover, adding dynamic tension. The lighting feels dramatic—highlighting their faces and hands while the rest is engulfed in dark, rainy tones.

The Dog Walker and the Nurse