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Negros Suaves Book Cover Ideas

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Eira stands at the forefront with her intricate, flowing hair seemingly merging into the mist and the faint outlines of the ancient ruins behind her. Her glowing black eyes exude both tenderness and forbidden mystery. Kael emerges subtly behind her, partially disintegrated into swirling ink and shadows, with his form blending into pieces of floating memories—abstract faces and leaves—all surrounded by faint traces of light and darkness. In front of Eira and Kael, a black onyx stone glimmers softly on an ancient pedestal surrounded by shifting fragments of an open journal with moving, magical ink. A thin beam of pale gold light filters down from above, highlighting their faces as though illuminating their fate, while the rest of the scene fades into smoky greys, whites, and ash-like blacks.

Ecos de lo que no fue

Eira and Kael are framed in the foreground, standing opposite each other, bathed in soft, pale light falling diagonally from the top right corner. Eira's hair flows unnaturally, almost merging with the silky mist around the ruins. Kael appears partially transparent, his form disintegrating into shadows and ink-like swirls. Behind them, an ancient, crumbling temple (The Salón del Linde) stands cloaked in swirling mist. A floating, opened notebook with shifting dark ink is prominently placed near Eira, while a faintly glowing onyx stone lies between them on the cracked ground. Fragments of ghostly faces, leaves, and blurred memories drift throughout the scene like wisps.

Ecos de lo que no fue