Book Cover Designs with Marah

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A digitally painted scene of a futuristic landscape dominated by a bluish hue. A da’i, dressed in a futuristic robe with glowing accents, is seen addressing a group of people (jama'ah) seated on transparent, levitating platforms. The da’i’s expression is stoic, while some members of the jama'ah appear to be restless, indifferent, or crying, reflecting the range of emotions (cuek, marah, menangis). The background features a sky filled with both stars and holographic projections to emphasize the science fiction element.

Problematika dakwah

A silhouette of a young man with a cracked surface design symbolizing a broken and wounded soul—found at the center of the cover. Behind him, a hazy burning sunset bleeding into a night sky, representing emotional turmoil. Beneath this, a winding, shadowy forest path fading into light represents the journey of healing. Beside the young man, a faint glowing figure of a girl touches his arm, symbolizing the connection and empathy between Delano and Alessa. Surrounding the edges are scattered shattered glass patterns, subtly reflecting the destructive past he's endured.

Bayang-Bayang Luka

The cover features a stunning sunset scene over an expansive ocean, with vibrant colors and rays of light shining through the clouds. In the center, a solitary figure stands on a rocky cliff, looking out towards the horizon. A majestic seagull soars above, adding a sense of freedom and adventure to the composition.

Mimpi Sejuta Laut

A silhouette of a lone figure walking down a cracked, desolate road that disappears into a background of an ominous yet calming twilight sky. Dark stormy clouds hover above, pierced by faint rays of sunlight breaking through, symbolizing the presence of hope. Surrounding the road are scattered fragments of shattered glass, with subtle reflections of different, emotion-evoking scenes—anger, despair, and resolve. The background edges are blurred into soft textures, adding contrast to the central figure.

The cover features a combination of emotions through abstract illustrations. The main focal point is a tear-shaped figure, representing sadness and confusion. Surrounding it are elements like a broken heart, a cloud of anger, and a blooming flower of love, symbolizing the range of emotions experienced in the book. The background consists of overlapping images of school buildings, symbolizing the setting of the story, and a corrupted figure, representing the theme of corruption.

A dark, moody backdrop with a faint depiction of a worn-down, dimly lit school hallway transitioning into a shadowy living room that hints at the atmosphere of Bibi Vesper's house. A silhouetted figure of a teenage boy stands towards the left, his black, messy hair slightly ruffled, head lowered, hiding any overt expression of emotion. His glowing ash-gray eyes pierce through the dimness, surrounded by a faint aura of vulnerability. Broken shards of glass float around him, symbolic of his trauma and fractured hope, with each shard faintly reflecting echoes of significant memories (e.g., glimpses of a school locker, a hand reaching out, and torn scrap paper). The entire scene has a muted, desaturated color palette—dominated by greys, dark blues, and smoky blacks—with thin streaks of warm gold light cutting through, symbolizing slender threads of hope.

Jejak Luka di Jalan Kelam

A close-up of the cool boy with black, messy hair and haunting grey eyes, leaning against a dimly lit brick wall. His posture is slouched, conveying trauma and hopelessness, and his gaze pierces forward with subtle anger and lingering despair. The background shifts from the faint outline of school lockers on the left to shadowy furniture suggesting a modest home setting on the right—symbolizing his two conflicting worlds. The edges of the cover fade into darkness to enhance the theme of despair and isolation, with a subtle beam of light cutting across him, alluding to hope.

Jalan Luka di Jalan Kelam

A dark, stormy, and futuristic cityscape serves as the backdrop, symbolizing a chaotic world. At the forefront, a stoic da'i (Islamic preacher) dressed in traditional attire stands under a dim beam of light, facing a group of scattered, futuristic-looking Jama'ah (congregation). Their expressions reflect indifference, anger, and sadness, matching the requested emotions. Hovering above them is a glowing Quran, emitting a surreal light. The overall color palette is dominated by deep blues, blacks, and sharp silvers to evoke a stark, serious tone.

Problematika dakwah

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