Book Cover Designs with Marah

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The cover features a combination of emotions through abstract illustrations. The main focal point is a tear-shaped figure, representing sadness and confusion. Surrounding it are elements like a broken heart, a cloud of anger, and a blooming flower of love, symbolizing the range of emotions experienced in the book. The background consists of overlapping images of school buildings, symbolizing the setting of the story, and a corrupted figure, representing the theme of corruption.

A silhouette of a lone figure walking down a cracked, desolate road that disappears into a background of an ominous yet calming twilight sky. Dark stormy clouds hover above, pierced by faint rays of sunlight breaking through, symbolizing the presence of hope. Surrounding the road are scattered fragments of shattered glass, with subtle reflections of different, emotion-evoking scenes—anger, despair, and resolve. The background edges are blurred into soft textures, adding contrast to the central figure.

A shadowy figure stands in the middle of a desolate, broken-down street under a stormy sky. The figure’s silhouette is fragmented, as if cracked like glass, symbolizing the inner trauma and emotional fissures. Surrounding the figure are faint, blurred images of betrayal and haunting memories—the kind that are barely visible but linger like ghosts. Wisps of light break through the stormy clouds above, representing threads of hope and resilience piercing through the chaos. The color palette consists of dark grays, deep reds, and splashes of muted yellow, amplifying the emotional interplay of pain, anger, and hope.

Bayang-Bayang Luka

A shadowy, distressed background in shades of gray and indigo, representing trauma and despair. A boy with messy black hair sits at the center-right of the cover, wearing a hooded jacket, his head tilted downward, with glowing ash-gray eyes that pierce through the darkness. The boy’s figure fades slightly into the background as though blending with his emotional scars. A faint flicker of light (symbolizing hope) shines dimly at the upper-left corner. The soft texture of cracks or tears runs across the background, giving the impression of brokenness and healing.

Jejak Luka di Jalan Kelam

A close-up of the cool boy with black, messy hair and haunting grey eyes, leaning against a dimly lit brick wall. His posture is slouched, conveying trauma and hopelessness, and his gaze pierces forward with subtle anger and lingering despair. The background shifts from the faint outline of school lockers on the left to shadowy furniture suggesting a modest home setting on the right—symbolizing his two conflicting worlds. The edges of the cover fade into darkness to enhance the theme of despair and isolation, with a subtle beam of light cutting across him, alluding to hope.

Jalan Luka di Jalan Kelam

A digitally painted scene of a futuristic landscape dominated by a bluish hue. A da’i, dressed in a futuristic robe with glowing accents, is seen addressing a group of people (jama'ah) seated on transparent, levitating platforms. The da’i’s expression is stoic, while some members of the jama'ah appear to be restless, indifferent, or crying, reflecting the range of emotions (cuek, marah, menangis). The background features a sky filled with both stars and holographic projections to emphasize the science fiction element.

Problematika dakwah

The cover features a stunning sunset scene over an expansive ocean, with vibrant colors and rays of light shining through the clouds. In the center, a solitary figure stands on a rocky cliff, looking out towards the horizon. A majestic seagull soars above, adding a sense of freedom and adventure to the composition.

Mimpi Sejuta Laut

A dark, stormy, and futuristic cityscape serves as the backdrop, symbolizing a chaotic world. At the forefront, a stoic da'i (Islamic preacher) dressed in traditional attire stands under a dim beam of light, facing a group of scattered, futuristic-looking Jama'ah (congregation). Their expressions reflect indifference, anger, and sadness, matching the requested emotions. Hovering above them is a glowing Quran, emitting a surreal light. The overall color palette is dominated by deep blues, blacks, and sharp silvers to evoke a stark, serious tone.

Problematika dakwah

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