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A pair of oversized camo cargo shorts is the main centerpiece, drawn in a Kurt Vonnegut-inspired whimsical illustration style. The shorts have an intricate camo pattern one pant leg features a rugged mountain that transitions seamlessly into a spooky haunted house engulfed in flames, complete with a full moon surrounded by stars. From the left pocket, a sleek, futuristic spaceship zooms out with a bright, curving contrail that spirals dynamically toward the upper portion of the cover. From the right pocket, a cartoonish green orc peeks out holding a playful AK-47, all with exaggerated proportions to maintain whimsy. A fluffy, slightly sinister wide-eyed cat pokes its head out of the left cargo pocket, adding a mischievous touch. The backdrop is a simple, light teal background that frames the playful chaos beautifully. Saturated colors and bold outlines pull all elements together into a cohesive, whimsical appearance.

The cover is split into two distinct halves with a vertical dividing line—as though a mirror separates the two characters. On the left side, the war-torn humanoid appears against a dark digital glitch background, with fragmented code patterns and scattered shards of glass radiating outwards. On the right side, the nurturing humanoid stands against a gentle, soft-lit digital glow, with smooth gradients of amber and soft blues. Both figures are drawn in sharp, hyper-realistic detail, almost seeming to merge at their foreheads where their intense stare conveys tension. A faint crimson-red electrical spark crosses the divide, symbolizing their conflict and connection.

The cover features a young girl, about 10 years old, standing in front of a large clock. The girl is looking up at the clock with wonder and curiosity. The clock is intricate and detailed, with gears and hands that seem to be moving. The background is a soft, white gradient, giving a dreamlike quality to the scene.

De wekker van verloren tijd

The cover features a broad view of a dimly lit desert landscape under a dusky sky, transitioning into the ominous dark of night. Silhouettes of twisted cacti are stark against the horizon. In the foreground, there is a shadowy, wooden well house partially illuminated by the muted glow of the setting sun. The distant lights of North Las Vegas twinkle faintly on the horizon, hinting at civilization beyond the desolate surroundings. The overall tone is heavy and foreboding, with shadows deepening as the eye moves toward the well house.

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